|
ID |
Nickname |
Country / City |
Languages |
Taxonomies |
Comment |
Project / Group |
Map |
|
136132
|
Laura_Pizarro_Jacinto
|
Spain
Cáceres
|
|
|
—
|
PALRA
|
|
|
136133
|
Laura_Pizarro_Jacinto
|
Spain
Cáceres
|
|
|
—
|
PALRA
|
|
|
136134
|
Laura_Pizarro_Jacinto
|
Spain
Cáceres
|
|
|
—
|
PALRA
|
|
|
136135
|
Laura_Pizarro_Jacinto
|
Spain
Cáceres
|
|
|
—
|
PALRA
|
|
|
136136
|
Laura_Pizarro_Jacinto
|
Spain
Cáceres
|
|
|
—
|
PALRA
|
|
|
136137
|
Laura_Pizarro_Jacinto
|
Spain
Cáceres
|
|
|
—
|
PALRA
|
|
|
136138
|
Laura_Pizarro_Jacinto
|
Spain
Cáceres
|
|
|
—
|
PALRA
|
|
|
136139
|
Laura_Pizarro_Jacinto
|
Spain
Cáceres
|
|
|
—
|
PALRA
|
|
|
136140
|
Laura_Pizarro_Jacinto
|
Spain
Cáceres
|
|
|
—
|
PALRA
|
|
|
136141
|
Laura_Pizarro_Jacinto
|
Spain
Cáceres
|
|
|
—
|
PALRA
|
|
|
136142
|
Laura_Pizarro_Jacinto
|
Spain
Cáceres
|
|
|
—
|
PALRA
|
|
|
136144
|
Laura_Pizarro_Jacinto
|
Spain
Cáceres
|
|
|
This is a partial capture of an interpretive panel from the Museo de Semana Santa de Cáceres, presented in Spanish, English, Portuguese, German, French, and Braille.
The panels combine text, maps, and images, that reflect the city’s international identity as a World Heritage site.
|
PALRA
|
|
|
136145
|
Laura_Pizarro_Jacinto
|
Spain
Cáceres
|
|
|
This is a partial capture of an interpretive panel from the Museo de Semana Santa de Cáceres, presented in Spanish, English, Portuguese, German, French, and Braille.
The panels combine text, maps, and images, that reflect the city’s international identity as a World Heritage site.
|
PALRA
|
|
|
136147
|
Laura_Pizarro_Jacinto
|
Spain
Cáceres
|
|
|
This is a partial capture of an interpretive panel from the Museo de Semana Santa de Cáceres, presented in Spanish, English, Portuguese, German, French, and Braille.
The panels combine text, maps, and images, that reflect the city’s international identity as a World Heritage site.
|
PALRA
|
|
|
136149
|
Laura_Pizarro_Jacinto
|
Spain
Cáceres
|
|
|
This is a partial capture of an interpretive panel from the Museo de Semana Santa de Cáceres, presented in Spanish, English, Portuguese, German, French, and Braille.
The panels combine text, maps, and images, that reflect the city’s international identity as a World Heritage site.
|
PALRA
|
|
|
136150
|
Laura_Pizarro_Jacinto
|
Spain
Cáceres
|
|
|
This is a partial capture of an interpretive panel from the Museo de Semana Santa de Cáceres, presented in Spanish, English, Portuguese, German, French, and Braille.
The panels combine text, maps, and images, that reflect the city’s international identity as a World Heritage site.
|
PALRA
|
|
|
136153
|
Laura_Pizarro_Jacinto
|
Spain
Cáceres
|
|
|
This is a partial capture of an interpretive panel from the Museo de Semana Santa de Cáceres, presented in Spanish, English, Portuguese, German, French, and Braille.
The panels combine text, maps, and images, that reflect the city’s international identity as a World Heritage site.
|
PALRA
|
|
|
136146
|
Laura_Pizarro_Jacinto
|
Spain
Cáceres
|
|
|
This vertical panel is titled “Torres Cristianas”, and it narrates the history of Cáceres’ truncated towers under the heading “El Desmoche de la Reina Isabel” (The Truncation by Queen Isabella).
The sign presents the historical episode when Isabella I of Castile ordered the nobility’s towers in Cáceres to be reduced in height, as punishment for supporting her rival Juana la Beltraneja in the succession conflict after the death of Henry IV.
The panel integrates text, portraits, maps, genealogical diagrams, Braille, and illustrations.
Upper section:
A map of Cáceres indicating Christian towers.
Main title “El Desmoche de la Reina Isabel”.
Portraits of Juana la Beltraneja and Isabel la Católica flank a dynastic family tree, situating them in relation to Enrique IV, Fernando II, and Juana de Portugal. This genealogical framing highlights the roots of the civil war.
Middle section:
Multilingual explanations of the tower demolition, in English, Portuguese, German, and French. Each language is marked with a colored circle for easy navigation.
A central illustration of a medieval battle scene, reinforcing the military context of the succession war.
The narrative highlights both the symbolic punishment of the nobility and the military transformation of the cityscape.
Accessibility:
A wide Braille band transcribes the content for visually impaired visitors, running horizontally across the panel.
Lower section:
The text “El perfil imposible de Cáceres” explains the long-term impact of these demolitions on the city’s skyline.
Mentions specific cases such as the Palacio de las Cigüeñas, the only tower left intact, thanks to its owner Diego de Ovando’s loyalty to Isabella.
Additional drawings and a panoramic photograph of the city link the historical past to the visible present.
Bottom band: Decorated in ochre, with heraldic motifs (including the lion of León), tying the narrative to the broader theme of urban heraldry and identity.
Linguistic Landscape Notes
Multimodal Communication: The panel combines text, genealogical charts, portraits, maps, illustrations, and photography, providing a layered semiotic experience.
Multilingualism: As with the first panel, the presence of English, Portuguese, German, French, and Spanish emphasizes Cáceres’ role as a tourist heritage site that communicates with international audiences.
Accessibility: Braille transcription reinforces inclusivity, making heritage interpretation available to visually impaired visitors.
Historical Identity: The panel ties Cáceres’ physical architecture (its truncated towers) directly to political history and dynastic struggles, presenting the city’s landscape as a living monument to past conflicts.
Pedagogical Design: The genealogical chart and portraits serve as visual aids, simplifying complex dynastic history for museum visitors.
|
PALRA
|
|
|
136151
|
Laura_Pizarro_Jacinto
|
Spain
Cáceres
|
|
|
The three panels, placed side by side, are dedicated to the Christian towers of Cáceres. Each one blends historical explanation, multilingual texts, Braille transcription, images, and diagrams.
Left panel – “Así es una torre Cristiana”
Explains the architectural features of a typical Christian tower.
Includes diagrams showing structural elements, such as battlements and defensive details.
Contains a comparative section “Diferencias entre las torres” highlighting contrasts with Islamic towers.
Includes multilingual translations (English, Portuguese, German, French) and Braille at the center.
Photographs of surviving towers illustrate the points.
Central panel – “Torres Cristianas en la ciudad”
Focuses on the distribution of Christian towers across Cáceres, with a map marking their locations.
Provides details on the Torre de Bujaco, one of the city’s most emblematic defensive towers.
Texts in five languages (Spanish, English, Portuguese, German, French), with Braille transcription in the middle section.
Several photographs show towers in different states of preservation, making visible the contrast between intact and truncated examples.
Right panel – “El Desmoche de la Reina Isabel”
Already described in detail in the previous entries. It explains the truncation of noble towers ordered by Isabella I of Castile after the succession conflict against Juana la Beltraneja.
Contains a genealogical chart, portraits, a battle illustration, Braille transcription, and a closing reflection titled “El perfil imposible de Cáceres”.
Thematic Unity: The three panels together form a coherent narrative: from the architecture of a typical Christian tower (left), to their urban presence in Cáceres (center), and finally to their political transformation through truncation (right).
Multilingualism: As with the previous panels, each includes sections in English, Portuguese, German, French, and Spanish, reflecting the city’s openness to international visitors.
Accessibility: All three panels include Braille transcriptions, a consistent design choice that foregrounds inclusivity in the museum’s interpretive strategy.
Multimodality: Visual diagrams (architectural schematics, maps, genealogies) help simplify complex concepts. Photographs provide evidence of surviving towers. Illustrations (battles, heraldic motifs) add narrative and symbolic depth.
Place Identity: The panels emphasize that Cáceres’ current urban profile — with its truncated towers — is not a neutral architectural accident, but the direct result of dynastic struggles and royal authority. This situates the built environment as a text, readable through language, images, and history.
|
PALRA
|
|
|
136154
|
Laura_Pizarro_Jacinto
|
Spain
Cáceres
|
|
|
This is a partial capture of an interpretive panel from the Museo de Semana Santa de Cáceres, presented in Spanish, English, Portuguese, German, French, and Braille.
The panels combine text, maps, and images, that reflect the city’s international identity as a World Heritage site.
|
PALRA
|
|
Lingscape
