The tile in San Antonio shows how the layers of history overlap in Cáceres:
Jewish past: San Antonio as synagogue and Jewish quarter.
Christian transformation: after 1492, devotion to the Virgin.
Present identity: the Virgen de la Montaña as the beloved patroness of Cáceres, celebrated in festivals and represented on ceramic tiles across the old city.
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MURALLA DE CÁCERES: Wall of Cáceres
RESTAURACIÓN FASE 1: Restoration Phase 1
OLIVAR DE LA JUDERÍA – ARCO DE CRISTO: this indicates the section of the walls that was restored:
Olivar de la Judería (the olive grove of the Jewish Quarter, an area near the Judería Vieja).
Arco de Cristo (Christ’s Arch), one of the historic gates of the old city, originally Roman and later part of the medieval wall.
Mº de Cultura – Noviembre 1989: the restoration was carried out by the Spanish Ministry of Culture in November 1989.
At the bottom: official seals/logos of the Spanish Government, Junta de Extremadura, and Ayuntamiento de Cáceres.
The central design: a simple outline of the Cáceres wall, showing the restored section.
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Spanish:
“CAMINOS DE SEFARAD – RED DE JUDERÍAS DE ESPAÑA” : “Routes of Sefarad, Network of Jewish Quarters of Spain”
“CÁCERES” : identifies the city
Hebrew word in the center:
The large letters spell ספרד (Sefarad), which is the Hebrew word for Spain. In Jewish tradition, Sefarad is the name for the Iberian Peninsula, where Sephardic Jews lived until their expulsion in 1492.
Cáceres is a member of the Red de Juderías de España, an association of cities preserving their Jewish heritage. The plaque is placed in the Jewish Quarter (Judería Vieja, Barrio de San Antonio) to signal its historical importance. It helps visitors follow the Sephardic heritage route, which includes the San Antonio Hermitage (former synagogue), traditional houses, and alleys where Jewish families once lived.
https://redjuderias.org/
https://caminosdesefarad.com/
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Ceramic tile in the Hermitage of San Antonio (formerly a synagogue) in the Barrio de San Antonio, Cáceres depicts Saint Anthony of Padua with the Child Jesus.
Saint Anthony of Padua: shown as a Franciscan, wearing a brown habit, with a halo, holding the Child Jesus in his arms. The Child Jesus: also with a halo, blessing or holding a symbol (often a book or cross).
Lily branch in St. Anthony’s left hand: a classic attribute, symbol of purity.
Cloud with cherub heads under his feet: sign of holiness and heavenly glory.
Baroque-style ceramic frame with black floral motifs on a white background, reinforces the Christian dedication of the former synagogue to Saint Anthony.
Saint Anthony of Padua is the patron of many hermitages and popular neighborhoods in Spain. The placement of devotional ceramic tiles on facades and hermitages became a widespread tradition from the 17th century onward, especially in Extremadura and Andalusia, so that neighbors and passersby could entrust themselves to the saint.
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