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ID |
Nickname |
Country / City |
Languages |
Taxonomies |
Comment |
Project / Group |
Map |
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136349
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Laura_Pizarro_Jacinto
|
Spain
Cáceres
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Mudéjar comes from the Arabic mudayyan (“those allowed to remain”) — it refers to Muslims who stayed in Christian territories after the Reconquista, and by extension to the artistic style that blends Islamic decorative traditions with Christian architecture.
In Cáceres, after its Christian conquest (1229 by Alfonso IX of León), many Muslim artisans continued to work under Christian rule, bringing their geometric, vegetal, and epigraphic decorative vocabulary into churches, palaces, and homes. As a result, the city has many Mudéjar houses, towers, and details mixed into the medieval Christian city.
Features of Mudéjar Style here:
Geometric design : The 8-pointed star (symbol of balance and cosmic order) and honeycomb/hexagonal patterns are classic in Islamic art, later reused in Christian homes as decoration. The 8-pointed star (often called “Estrella de Al-Andalus” or “Khatam”) is one of the most typical geometric motifs in Islamic art, symbolizing harmony, balance, and infinity. The lattice of hexagons around it recalls the ornamental patterns found in Nasrid Granada (Alhambra) and other Andalusi monuments.
Absence of figurative images : Following Islamic tradition, instead of animals or human forms, the design relies on pure geometry.
Practical + symbolic : A door knocker is useful, but the ornamentation also has a protective role, echoing amulets and blessings carved into Muslim homes.
Mudéjar in Cáceres (Examples Nearby)
Torre de Bujaco : Originally Almohad, later modified, but still keeps Muslim construction techniques.
Arco de la Estrella : Built later (18th c.) but sits on Muslim wall foundations.
Mudéjar houses in the old town : Simple façades with brickwork and geometric motifs, often with shields or religious emblems added later.
Santa María and San Mateo churches : Gothic structures decorated with Mudéjar elements.
A survivor of Al-Andalus aesthetics, carried into Christian Cáceres by Mudéjar artisans. It’s a reminder that the city’s identity is a fusion of Christian, Muslim, and Jewish cultures, which earned the Old Town its UNESCO World Heritage status.
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PALRA
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135838
|
Laura_Pizarro_Jacinto
|
Spain
San Martín de Trevejo
|
|
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PALRA | Documenting Living Languages in Western Iberia
SM | San Martín de Trevejo Corpus ID : 096 -155838
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PALRA
|
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136350
|
Laura_Pizarro_Jacinto
|
Spain
Cáceres
|
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The word on this ceramic tile is “JAIMA”, written in Spanish (Latin alphabet).
In Spanish, jaima means a large tent used traditionally by nomadic peoples in North Africa and the Sahara, especially the Berbers and Tuaregs. The word comes from Arabic (خيمة khayma = “tent”).
Language of the inscription is Spanish, but it’s a loanword of Arabic origin.
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PALRA
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135839
|
Laura_Pizarro_Jacinto
|
Spain
San Martín de Trevejo
|
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PALRA | Documenting Living Languages in Western Iberia
SM | San Martín de Trevejo Corpus ID : 097 -155839
|
PALRA
|
|
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136351
|
Laura_Pizarro_Jacinto
|
Spain
Cáceres
|
|
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—
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PALRA
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135840
|
Laura_Pizarro_Jacinto
|
Spain
San Martín de Trevejo
|
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PALRA | Documenting Living Languages in Western Iberia
SM | San Martín de Trevejo Corpus ID : 098 -155840
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PALRA
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135841
|
Laura_Pizarro_Jacinto
|
Spain
San Martín de Trevejo
|
|
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PALRA | Documenting Living Languages in Western Iberia
SM | San Martín de Trevejo Corpus ID : 099 -155841
|
PALRA
|
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136353
|
Laura_Pizarro_Jacinto
|
Spain
Cáceres
|
|
|
—
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PALRA
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135842
|
Laura_Pizarro_Jacinto
|
Spain
San Martín de Trevejo
|
|
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PALRA | Documenting Living Languages in Western Iberia
SM | San Martín de Trevejo Corpus ID : 100 - 155842
|
PALRA
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136354
|
Laura_Pizarro_Jacinto
|
Spain
Cáceres
|
|
|
Coat of arms carved in stone.
Above it, the blue-and-white ceramic sign “2 y 2A” is written in Spanish (the word “y” means “and” in Spanish).
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PALRA
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87202
|
|
Spain
Vimianzo
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Vimianzo Concello beira dereita
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135843
|
Laura_Pizarro_Jacinto
|
Spain
San Martín de Trevejo
|
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PALRA | Documenting Living Languages in Western Iberia
SM | San Martín de Trevejo Corpus ID : 101 -155843
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PALRA
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136355
|
Laura_Pizarro_Jacinto
|
Spain
Cáceres
|
|
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—
|
PALRA
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87203
|
|
Spain
Vimianzo
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Vimianzo Concello beira dereita
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135844
|
Laura_Pizarro_Jacinto
|
Spain
San Martín de Trevejo
|
|
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PALRA | Documenting Living Languages in Western Iberia
SM | San Martín de Trevejo Corpus ID : 102 -155844
|
PALRA
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136356
|
Laura_Pizarro_Jacinto
|
Spain
Cáceres
|
|
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—
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PALRA
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68773
|
|
Spain
Sevilla
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Ardilla 1
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135845
|
Laura_Pizarro_Jacinto
|
Spain
San Martín de Trevejo
|
|
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PALRA | Documenting Living Languages in Western Iberia
SM | San Martín de Trevejo Corpus ID : 103 -155845
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PALRA
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136357
|
Laura_Pizarro_Jacinto
|
Spain
Cáceres
|
|
|
Latin abbreviations and Christian symbols written in Gothic script.
Inscription:
On the left: “IHS” Christogram from the Greek name of Jesus (ΙΗΣΟΥΣ = Iēsous). Also the abbreviation, in Latin it’s read as Iesus Hominum Salvator = "Jesus, Savior of Men").
In the center: a chalice (Eucharistic symbol, very common in late-medieval and Renaissance Christian inscriptions).
On the right: “MARIA” (the Virgin Mary, written in Gothic letters).
Above the chalice you can also spot a cross and possibly a host (Eucharistic bread) carved.
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PALRA
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135846
|
Laura_Pizarro_Jacinto
|
Spain
San Martín de Trevejo
|
|
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PALRA | Documenting Living Languages in Western Iberia
SM | San Martín de Trevejo Corpus ID : 104 -155846
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PALRA
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